Fridman Gallery presents the first New York exhibition of Japanese artist Azuki Furuya. 

Furuya’s works explore the fragility of memory, with the material process itself as a form of storytelling. After drawing the composition from a photograph on a wooden or metal board, Furuya builds it up with layered bits of colored paper, magazine cutouts and fragments of the photograph, then meticulously sands down the papered surface until it is exposed like a derelict billboard, and paints inside and around the contours. The resulting artworks are highly textured and luminous, a testament to precariousness and persistence of life, memory and myth. 

Furuya does not stop there. With the shavings leftover from the sanding, she remakes paper pulp, shapes it into a sculptural form, and transfers the original photograph onto the reconstituted surface. The underlying images can be family photographs, Ukiyo-e prints, and historical images, such as those of the 2011 Fukushima earthquake and nuclear disaster. In Furuya’s art, the images become ingredients in the never-ending process of re-formation of identity. Fragments of trauma are unearthed, ground down to ash and repurposed, giving rise to a form new and vital.

Please email info@fridmangallery.com to preview the exhibition digitally or in person.